Speaker
Description
Acoustically adaptable performance spaces offer the possibility to actively shape their sonic response, allowing them to be “tuned” in relation to specific artistic requirements. In this sense, the space itself can be approached as an instrument, whose parameters—such as reverberation, clarity, and spatial distribution—are adjusted to support different ensembles and repertoires. A central challenge lies in defining appropriate strategies for tuning these environments, particularly with regard to perceptual aspects such as the audibility between musician groups and the balance between singers, orchestra, and choir.This contribution examines methods for assessing and adjusting such spaces, with a focus on capturing interaction within and across performer sections. While established room acoustic metrics provide a useful foundation, they often fall short in describing the nuanced relationships that emerge in complex performance settings. The paper therefore addresses the limitations of current measurement approaches and explores complementary strategies that better reflect ensemble conditions.In addition, the role of participative design processes is highlighted. Involving musicians and other stakeholders in the tuning and evaluation of the space can support more informed adjustments and tends to increase acceptance of the resulting acoustic conditions. The study aims to contribute to an ongoing discussion on how architectural design, acoustic adaptability, and user involvement can be integrated, and how such processes can be supported by appropriate measurement and evaluation methods.