Speaker
Description
Existing EU approaches for quiet area identification often rely on noise level assessment, giving less weight to in situ measurements and subjective data. Recent research, alongside EEA and ETC/ATNI reports, recognises quiet areas through acoustic conditions, spatial qualities, visual attributes and cultural context. While emerging studies acknowledge quiet areas as multidimensional constructs, they do not provide a structured methodology that links spatial metrics, acoustic indicators and user experience. This paper proposes a mixed-methods framework that integrates objective and subjective data for quiet area evaluation and their integration into urban planning. Combining soundwalk and space syntax methods with natural and cultural heritage evaluation will enable a multi-layered interpretation that considers accessibility, land-use compatibility and heritage value. Relating soundscape perception to inherent spatial configuration and built structure, will reveal areas where physical form and sensory experience converge to achieve conditions for urban quietness and pleasantness. Particular attention is given to layers of urban forests and cultural heritage whose characteristics shape spatial networks and experiential characteristics of the city. The proposed methodology aims to support a more comprehensive understanding of quiet areas as socio-spatial constructs and contributes to the development of context-sensitive urban planning strategies to enhance overall quality of life.